{"id":3717,"date":"2012-01-13T02:11:45","date_gmt":"2012-01-13T02:11:45","guid":{"rendered":"http:\/\/butcherbaker.net\/wordpress\/?p=3717"},"modified":"2021-03-08T11:13:43","modified_gmt":"2021-03-08T19:13:43","slug":"how-movies-lose-money","status":"publish","type":"post","link":"https:\/\/lelandhale.com\/butcherbaker\/wordpress\/2012\/01\/13\/how-movies-lose-money\/","title":{"rendered":"How Movies Lose Money"},"content":{"rendered":"

Ever since “Butcher, Baker” became a project of interest to Hollywood, I’ve been on a crash course to better understand the industry. One argument made to keep creative talent costs in check is that most movies lose money. Even successful ones.
\nBut that bit of myth-making is beginning to wear thin. Or at least get a little rough around the edges. Horace Dediu of Asymco<\/a> has two back-to-back podcasts on what’s called “Hollywood Accounting,” also known as creative accounting. The latest is called “Negative Costs”<\/a> (podcast). The original is called “Below the (Belt)line”<\/a> (podcast).
\nBoth are worth a listen, especially if this kind of creativity intrigues you.
\nThe podcasts aside, we can summarize how it all works. Hollywood, as it turns out, is a fee-based industry. Those fees are structured up front to ensure a profit. As NPR’s Planet Money<\/a> (Jacob Goldstein) shows, there’s a twisted logic here that bears close resemblance to carnival games:<\/p>\n

As a case study, [Hollywood financial analyst Edward Jay Epstein<\/a>] walks us through the numbers for “Gone In 60 Seconds.” (It starred Angelina Jolie and Nicolas Cage. They stole cars. Don’t pretend like you don’t remember it.)
\nThe movie grossed $240 million at the box office. And, after you take out all the costs and fees and everything associated with the movie, it lost $212 million.
\nThis is the part of Hollywood accounting that is, essentially, fiction. Disney, which produced the movie, did not lose that money.
\nEach movie is set up as its own corporation. So what “lost money” on the picture is that corporation \u2014 Gone In 60 Seconds, Inc., or whatever it was called.
\nAnd Gone In 60 Seconds, Inc. pays all these fees to Disney and everyone else connected to the movie. And the fees, Epstein says, are really where the money’s at.<\/p><\/blockquote>\n

Get that? There’s lots of money moving around; now you see it, now you don’t. Here’s what that carnival game looks like in graphic form (credit, Horace Dediu). Note how “Distribution Fee to Studio” is its own (profit) column.
\n\"Horace
\nFILM PRODUCTION BUDGETS
\n<\/strong>
\nThe other half of the accounting process is film budgets. As an author, lately I have been particularly interested in these numbers (story)<\/a>. For instance, I now know there “is no net,” so won’t count on a percentage of the net for anything but show-and-tell. (Although our option agreement on Butcher, Baker, has just such a clause.)
\nBased on Horace Dediu’s numbers for a limited dataset, the author portion of film budgets runs between 7 and 15 percent of total budget. I am guessing (educated) that the screenplay eats up most of that; no surprise, then, that “Frozen Ground” director Scott Walker<\/a> is also credited with the screenplay<\/a>. With a $27M budget, Walker probably got a cool million or so for the screenplay alone (and that’s a conservative estimate). Bloody well done, Scott.
\nOh, and by the way, TechDirt reports that Hollywood Accounting is… um… losing in the courts<\/a>. I don’t see why (nod, nod, wink, wink)… It was a fiction to begin with.
\n\"Horace<\/p>\n","protected":false},"excerpt":{"rendered":"

Ever since “Butcher, Baker” became a project of interest to Hollywood, I’ve been on a crash course to better understand…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9,22,30],"tags":[142,214,251,289,411,477,478,531,576],"class_list":["post-3717","post","type-post","status-publish","format-standard","hentry","category-butcher-baker","category-movies","category-technology","tag-butcher-baker-2","tag-edward-jay-epstein","tag-frozen-ground","tag-hollywood-accounting-losing-in-the-courts","tag-npr-planet-money","tag-scott-walker","tag-scott-walker-frozen-ground-director","tag-the-hollywood-economist","tag-we-see-angelinas-bottom-line"],"yoast_head":"\nHow Movies Lose Money - Butcher Baker<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/lelandhale.com\/butcherbaker\/wordpress\/2012\/01\/13\/how-movies-lose-money\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"How Movies Lose Money - 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